- ► 2018 (105)
- ► 2017 (159)
- ► 2016 (172)
- ► 2015 (127)
- ► 2014 (118)
- ► 2013 (124)
- ► 2012 (147)
- Victor Heermann | Animal Crackers
- Irwyn Franklin | Harlem Is Heaven
- Thornton Freeland | Flying Down to Rio
- Mark Sandrich | Top Hat
- Roy Del Ruth | Broadway Melody of 1936 / Norman Ta...
- Victor Fleming, George Cukor, and Mervyn LeRoy | T...
- Michael Curtiz | Yankee Doddle Dandy
- Andrew L. Stone | Stormy Weather
- Busby Berkeley | The Gang's All Here
- Charles Walters | Easter Parade
- Michael Powell and Emeric Pressburger | The Red Sh...
- Stanley Donen | Royal Wedding
- Stanley Donen and Gene Kelly | Singing in the Rain...
- George Sidney | Kiss Me, Kate
- Vicente Minnelli | Brigadoon
- Michael Curtiz | White Christmas
- Richard Quine | My Sister Eileen
- Stanley Donen and Gene Kelly | It's Always Fair We...
- H. C. Potter | Three for the Show
- Fred Zinnemann | Oklahoma!
- Walter Lang | The King and I
- George Abbott and Stanley Donen | The Pajama Game
- George Abbott and Stanley Donen | Damn Yankees
- Jerome Robbins and Robert Wise | West Side Story
- Morton DaCosta | The Music Man
- Carol Reed | Oliver
- Allan Dwan | Robin Hood
- ▼ July (27)
Wednesday, July 27, 2011
George Abbott and Stanley Donen | Damn Yankees
by Douglas Messerli
George Abbott (screenplay, based on a novel by Douglas Wallop), Richard Adler and Jerry Ross (music and lyrics), George Abbott and Stanley Donen (directors) Damn Yankees / 1958
It is sad that the extremely gifted Gwen Verdon did not get to show her dancing talents in more films. On Broadway, she performed in some of the best dancing roles of her time, including Can-Can, Damn Yankees, Redhead, Sweet Charity, and, later in her life, Chicago. But the former wife of choreographer and dancer Bob Fosse, is absolutely memorable in her role as Lola in the film version of Damn Yankees, even if the film often leaves one with the feeling that something is missing. And her memorable “Whatever Lola Wants” dance and song has to be recognized as one of the great sexual numbers of film history.
There is something absolutely ridiculous about Lola, formerly the ugliest woman in Providence, Rhode Island, whom the Devil has transformed into a Cuban-like trollop, determined to get what she wants from every man she (and the Devil) desires to corrupt. Mock striping, as she dances, Lola writhes over the stolid body of ball player Joe Hardy (hilariously rendered by gay actor Tab Hunter), using his persevering figure as something close to a pole bar against, through, and across which she transverses, attacking him like a bull, waving her black negligee and clicking fanny, to negotiate what she presumes is the inevitable—his abandonment of moral values into absolute lust. The dance is almost an old-fashioned hoochie-coochie, but so sparklingly satiric in its conception that we can only watch in wonderment.
Of course, it doesn’t work: Hardy is in love with his wife, and the actor in love with men. But if ever anyone might have shaken up the opposite sex, it should have been Verdon as Lola; and later, in the lovely song and dance number, “Two Lost Souls”—almost as good as Verdon’s siren song— she nearly succeeds in unfreezing him.
Los Angeles, April 4, 2011