- ► 2018 (109)
- ► 2017 (159)
- ► 2016 (172)
- ► 2015 (127)
- ► 2014 (118)
- ► 2013 (124)
- ► 2012 (147)
- Victor Heermann | Animal Crackers
- Irwyn Franklin | Harlem Is Heaven
- Thornton Freeland | Flying Down to Rio
- Mark Sandrich | Top Hat
- Roy Del Ruth | Broadway Melody of 1936 / Norman Ta...
- Victor Fleming, George Cukor, and Mervyn LeRoy | T...
- Michael Curtiz | Yankee Doddle Dandy
- Andrew L. Stone | Stormy Weather
- Busby Berkeley | The Gang's All Here
- Charles Walters | Easter Parade
- Michael Powell and Emeric Pressburger | The Red Sh...
- Stanley Donen | Royal Wedding
- Stanley Donen and Gene Kelly | Singing in the Rain...
- George Sidney | Kiss Me, Kate
- Vicente Minnelli | Brigadoon
- Michael Curtiz | White Christmas
- Richard Quine | My Sister Eileen
- Stanley Donen and Gene Kelly | It's Always Fair We...
- H. C. Potter | Three for the Show
- Fred Zinnemann | Oklahoma!
- Walter Lang | The King and I
- George Abbott and Stanley Donen | The Pajama Game
- George Abbott and Stanley Donen | Damn Yankees
- Jerome Robbins and Robert Wise | West Side Story
- Morton DaCosta | The Music Man
- Carol Reed | Oliver
- Allan Dwan | Robin Hood
- ▼ July (27)
Wednesday, July 27, 2011
George Abbott and Stanley Donen | The Pajama Game
by Douglas Messerli
George Abbott and Richard Bissell (screenplay), Richard Adler and Jerry Ross (music and lyrics), George Abbott and Stanley Donen (directors) The Pajama Game / 1957
Although Carol Haney worked with Gene Kelly on the dance numbers in both of his great films Singing in the Rain and An American in Paris, and danced in the chorus of Kiss, Me Kate, her only starring role on film, as a dancer and actor, was in The Pajama Game. Sadly, her early death at the age of 39 did not permit her to show her skills in other roles.
In The Pajama Game’s “This Is My Once a Year Day” and, particularly, in “Steam Heat,” we recognize Haney’s immense talents. Dancing with two male dancers, Haney performs the latter number of hissing s’s with the controlled lateral slide and cool frenzy that parallels the lyrics.
Fingers spread and shaking somewhat like a tambourine—a familiar Bob Fosse trope—the three reveal that “steam heat,” even when they pour more cools on the boiler, is not enough to keep them hot. In their jerky motions they uniformly suggest their shivering desperation for love. Lifting their hats up and down, the trio gives the sense of moving train constantly changing in perspective as they slip to right and left. Near the end of this almost jittery dance, the two men collapse, skittering across the floor toward Haney as if they have finally blown their tops or boiled over.
Los Angeles, April 11, 2011