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Saturday, February 9, 2013
Harmon Jones | Bloodhounds of Broadway
southern fried chickenby Douglas Messerli
Accordingly, this empty fable begins with a boring and unrevealing “trial,” one of the mobsters repeating “I can’t remember,” while Yvonne, true to her man, perfumes the room with lies. Even the senators throw up their hands in boredom: the inquiry ends as quickly as it has begun!
If you think these events might be lacking some credibility, hold on! For Numbers, having been “calmed down” by Emily Lee’s singing, suddenly gets the urge to take her along to New York where he might “mentor” and see to her education, hankering, evidently, to play “Daddy Long Legs” to this innocent country gal. But wouldn’t you know, the minute they get the Big Apple, where Emily Lee is given up into the tutelage of show-girl Tessie Sammis (Mitzi Green), the green country kid suddenly becomes a 20-something woman who, it turns out, can sing and dance as good as any Broadway star. As they play out a kind of “I can do anything better routine,” Tessie, Curtantime, and Emily Lee irresistibly patter “I Have a Feeling You’re Fooling.”
Screenplay writer Sy Gomberg and adapter Albert Mannheimer don’t give Runyon’s suckers an even chance. The Southern fried chicken, oily as it is, is served up cold. Numbers, upon his release from the slammer, and Emily Lee grow fat as an old married couple, hoofing their lives away. Issinit sweet?
Los Angeles, February 9, 2013