Thursday, August 12, 2021

Andy Warhol | Mario Banana #1 || Andy Warhol | Mario Banana #2

essence of fruits

by Douglas Messerli

Andy Warhol (director) Mario Banana #1 / 1964

Andy Warhol (director) Mario Banana #2 / 1964

The famed underground crossdresser and drag queen Mario Montez (René Rivera), after performing in Jack Smith’s Flaming Creatures appeared in 1964 in several films, including 2 versions of Andy Warhol’s Mario Banana.

     Both parts #1 and #2 consist of her slowly peeling and eating a banana, playing with the fruit’s reference to the male penis. In #1, dressed in a white wig that looks something like the hair of an Afghan dog, with a large circular rhinestone brooch attached her locks, wearing white gloves, beads, and bright red lipstick, Maria, after peeling the banana, slowly puts it to her lips, licks it, places it on her tongue, and bites down hard suggesting both the process of a blow job and the fact that she not only “eats” her men but in her powerful allure and control over them, devours them as well. 

     Every time she puts a new bite to her lips, she pauses as if to suck its essence before it passes through the engine-red tunnel, biting off another bit, eyelashes fluttering with delight.

     In the #2 rendition, bleached out and apparently shot in black and white, with her hair not as prominent, her bangles almost invisible, and the evaporation of lipstick, her face more clearly reveals her male features, which, in some respects, makes the procedure of pushing and pulling the banana in and out of her mouth an even more homosexual act. In some respects, in #2 she is a man become woman transmogrified back into a male, which for me adds another dimension to the act of fellatio. 

     These short films put her front and center of the drag queen camp performances of the 1960s that critic Susan Sontag made famous with her essay of the same year, 1964, in which Montez performed in these videos as well as Ron Rice’s Chumlum, and Warhol’s  Mario Montez Dances and Harlot, as well as working on Jack Smith’s Normal Love—clearly one of the most prolific periods of her career.

Los Angeles, August 12, 2021

Reprinted from World Cinema review (August 2021).

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