by Douglas Messerli
Richard Christian (director) The Rejected / 1961
The Rejected is probably the first televised documentary concerning homosexuality. First aired on the San Francisco TV station KQED for National Education Television (NET) on September 11, 1961, it was later syndicated to NET stations across the US, basically receiving positive reviews at the time, although now several of its approaches seem limited and even restrictive.
The show was overseen by independent producer, John W. Reavis, who wrote up his first ideas about the film in 1960, titling it “The Gay Ones.” He summarized his approach in the following general statement of his project:
“The object of the program will be to present as objective analysis of the subject as possible, without being overly clinical. The questions will be basic ones: who are the gay ones, how did they become gay, how do they live in a heterosexual society, what treatment is there by medicine or psychotherapy, how are they treated by society, and how would they like to be treated?”
Some of the most interesting arguments concern the legal issues covered by San Francisco district attorney Thomas C. Lynch, Al Bendich, and later through a debate between J. Albert Hutchinson and Morris Lowenthal. Bendich made clear the laws are primarily not against homosexual activity but are particularized against various sexual acts, laws that vary throughout every state in the nation and are often contradictory and so broad in their definition of sexual “perversity” that they are basically unenforceable. For example, adultery is on the books as a criminal act in many states; but since, as Kinsey has made clear that approximately 1/2 of adult males at time or another commit adultery there would be no way to enforce that crime unless we were to “turn our country into a jail.” Nearly all of our states have laws on their books against oral-genital sexuality and sodomy. The fines for these acts can be very severe including 3 years to life imprisonment for acts that married couples are often encouraged to engage in by sexual manuals, and, obviously, are commonly engaged in by homosexuals.
Such laws are also often contradictory and irrational, he argues. In Ohio, for example, if oral-genital sexuality is engaged in by females they are perfectly legitimate, but engaged in by males they criminal. If engaged in by married couples and the female partner is active a crime is committed, yet if the female in such an act is passive the activity is permissible by law. He concludes, “Ohio is no exception or even unusual regarding these laws.”
Perhaps the most disappointing group of representatives, from my viewpoint, were the three members of the Mattachine Society, Hal Call, Donald Lucas, and Les Fisher, openly speaking for gay men. One is appreciative that at least this documentary, unlike other programming about homosexuals, actually included gay individuals; a visit to the San Francisco Black Cat Bar was cut from the original report.
Yet their attitudes toward gay behavior as being psychologically influenced and representing something close to an societal illness—which arguably would at least allow for societal “permission” and sympathy if not complete acceptance—seem outdated and weak given the fact that by the date this documentary was aired Pier Paolo Pasolini, Kenneth Anger, Mauro Bolognini, Ron Rice, Mike and George Kuchar, and numerous other filmmakers were challenging such conservative notions of what being gay truly meant. Even more inexcusable are their dismissive comments about effeminate males, crossdressers, and what they describe as “gay swishes.”
Accordingly, for me, the true shock of this otherwise enlightened early exploration of gay life came when Mattachine president Harold Cal stated what he sees as the basic question that had not yet been asked: “Are homosexuals themselves basically satisfied with the way they are? From our observation, I think we would have to say they are not. However, opinion is divided upon this issue. Some people, many homosexuals indeed have known other orientation, no other way of life. Therefore they have no basis to make a judgment about whether they are or are not satisfied with their way of life.”
I’m not sure what objective source Cal might be using to make this conclusion or even what precisely he is saying about a gay man who has not had heterosexual sex having no way to judge whether or not he’s satisfied. He is suggesting that, deep down, all gay men would prefer to have sex with women? Whatever he is saying, it is far more frightening than what the other commentators have observed. I was only an adolescent of 14 when Cal spoke these words, but just a half-decade later I found myself quite sexually and emotionally satisfied, and have felt that way ever since.
Although there a preponderance evidence through LGBTQ films produced to that date that even death was often seen as better than being gay, it seems to me if given what Kinsey found—that 18% of the male population are more homosexual than heterosexual in their sexual activities and 37% of the male population has had at least one homosexual experience leading to orgasm after adolescence—and as Margaret Mead noted—that if our society, the defining force of how homosexuality is perceived by a culture, were to be like some native American tribes who see homosexuality and transvestitism as special and even superior—we might find many millions of very satisfied gay US males.
But, if nothing else, this film respectfully brought up some of the major issues which would be thrashed out over the next many decades continuing even today. As KQED station manager James Day opened the documentary, reading a statement from California's then-Attorney General Stanley Mosk:
"With all the revulsion that some people feel toward homosexuality, it cannot be dismissed by simply ignoring its presence. It is a subject that deserves discussion. We might just as well refuse to discuss alcoholism or narcotics addiction as to refuse to discuss this subject. It cannot be swept under the rug. It will not just go away.”
Los Angeles, August 16, 2021
Reprinted from World Cinema Review (August 2021).